Rudolfo Anaya's New Mexico

Bibliography

 Anaya, Rudolfo A., Bruce Dick, and Silvio Sirias. Conversations with Rudolfo Anaya. Jackson: UP of       Mississippi,

1998. Print.

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Aragón, Cecilia J. “Ay, Comadre! A Chicana’s Voice in Theater.” Hembra: Journal of Southwest Feminist

Thought, Arts and Events 5.2 (1995a): 6–7. Print.

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---. “Los Corridos de Billy the Kid–El Bilito: Contemporary Ballads and Songs about Billy the Kid from Native

New Mexicans, Rudolfo Anaya and Simón Álvarez.” Camino Real: Estudios de las Hispanidades Norteamericanas 3.5 (2011): 37–57. Print.

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---. “Politics and Performance: Repression and Resistance in Lee Blessing’s Billy the Kid and Rudolfo Anaya’s

Billy the Kid.” Western States Theatre Review 17 (2011): 3–20. Print.

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---. “Rudolfo Anaya: An Interview with Chicano Novelist and Playwright.” Prime Time Magazine (1995): 45–49.

Print.

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Aragón, Cecilia J., and Robert Con Davis-Undiano. “Engagements with the Human Spirit: Tragedy and Comedy

in Rudolfo Anaya’s Plays.” Billy the Kid and Other Plays. By Rudolfo A. Anaya. Norman: UP of Oklahoma, 2011. 369–382. Print.

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Baeza, Abelardo. Man of Aztlan: A Biography of Rudolfo Anaya. Waco, TX: Eakin, 2001. Print.

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Bauder, Thomas A. “The Triumph of White Magic in Rudolfo Anaya’s Bless Me, Ultima.” Mester 14.1 (1985): 41–54.

Print.

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Black, Debra B. “Times of Conflict: Bless Me, Ultima as a Novel of Acculturation.” Bilingual Review / La Revista

Bilingüe 25.2 (2000): 146–162. Print.

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Caminero-Santangelo, Marta. “‘Jasón’s Indian’: Mexican Americans and the Denial of Indigenous Ethnicity in

Anaya’s Bless Me, Ultima.” Critique 45.2 (2004): 115–128. Print.

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Cantú, Roberto, ed. The Forked Juniper: Critical Perspectives on Rudolfo Anaya. Norman: UP of Oklahoma, 2016.

Print.

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Cass, Jeffrey. “A White Man’s Fantasies: Orientalism in Rudolfo Anaya’s A Chicano in China.” Critica (1998):

43–51. Print.

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Chabrán, Richard, and Rafael Chabrán. “Anaya, Rudolfo Alonzo.” The Latino Encyclopedia. Vol. 1, Abejeños–

Chicano Movement. Eds. Richard Chabrán and Rafael Chabrán. New York: Marshall Cavendish, 1996. 58–60. Print.

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Chapman, Jeff, and Pamela S. Dear. “Rudolfo A. Anaya.” Contemporary Authors: New Revision Series 51. Eds.

Jeff Chapman and Pamela S. Dear. Detroit: Gale Research, 1996. 26–30. Print.

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Clements, William M. “The Way to Individuation in Anaya’s Bless Me, Ultima.” Midwest Quarterly: A Journal of

Contemporary Thought 23.2 (1982): 131-143. Print.

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Davis-Undiano, Robert Con. “Chicano/a Studies—Writing into the Future.” Genre 32.1–2 (1999): 1–13. Print.

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---. “The Emergence of New World Studies: Anaya, Aztlán, and the New Chicana.” Genre 32.1–2 (1999): 115–140.

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Dasenbrock, Reed Way. “Forms of Biculturalism in Southwestern Literature: The Work of Rudolfo Anaya and

Leslie Marmon Silko.” Genre 21.3 (1988): 307-319. Print.

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Elías, Edward. “Tortuga: A Novel of Archetypal Structure.” The Bilingual Review/La Revista Bilingue 9.1 (1982):

82-87. Print.

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Eckley, Grace. “Folklore and Faith in Anaya’s Bless Me, Ultima.” English in Texas 9.1 (1977): 11-13. Print.

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---. “The Process of Maturation in Anaya’s Bless Me, Ultima.” English in Texas 9.1 (1977): 8-10. Print.

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Flys-Junquera, Carmen. “Murder with an Ecological Message: Rudolfo Anaya and Lucha Corpi’s Detective

Fiction.” Revista Canaria de Estudios Ingleses 42 (2001): 341-357. Print.

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---. “Nature’s Voice: Ecological Consciousness in Rudolfo Anaya’s Alburquerque Quartet.” Aztlán 27.2 (2002):

119–137. Print.

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Geuder, Patricia. “A Chicano in China: A Chronicle of Oneiric Dimensions.” La Confluencia 4.2 (1989): 73-77.

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Gingerich, Willard. “Aspects of Prose Style in Three Chicano Novels: Pocho; Bless Me, Ultima; and The Road to

Tamazunchale.” Form and Fiction in Chicano English. Ed. Jacob Ornstein-Galicia. Rowley: Newbury House, 1984. 206-228. Print.

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Gish, Robert Franklin. “America as Aztlán: Landscape, Myth, and Ethnicity in Rudolfo Anaya’s Heart of Aztlán

and Alburquerque, and Jimmy Santiago Baca’s Martín and Meditations on the South Valley.” Beyond Bounds: Cross-Cultural Essays on Anglo, Americans Indian, and Chicano Literature. Albuquerque: UP of New Mexico, 1996. 137–144. Print.

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González-T, César A., ed. Rudolfo A. Anaya: Focus on Criticism. La Jolla, CA: Lalo Press, 1990. Print.

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González-T, César A., and Phyllis S. Morgan. A Sense of Place: Rudolfo A. Anaya, An Annotated

Bio-bibliography. Berkeley: UP of California, 2000. Print.

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Grau-Lleveria, Elena. “Historia e identidad nacional en dos autores latinoamericanos contemporáneos: Rudolfo

Anaya y Magali García Ramis.” Neophilologus 85.1 (2001): 71–78. Print.

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Gutiérrez, Armando. “Politics in the Chicano Novel: A Critique.” Understanding the Chicano

Experience through Literature. Ed. Nicolás Kanellos. Houston: UP of Houston, 1981. 7–14. Print.

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Henderson, Ashyia N. “Rudolfo Anaya.” Contemporary Hispanic Biography, Vol. 2. Ed. Ashyia N. Henderson.

Detroit: Gale Research, 2003. 11–14. Print.

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Herrera-Sobek, María. “Women as Metaphor in the Patriarchal Structure of Heart of Aztlán.” Rudolfo A. Anaya:

Focus on Criticism. Ed. César A. Gonzalez-T. La Jolla, CA: Lalo Press, 1990. 165-182. Print.

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Holton, Frederick S. “Chicano as Bricoleur: Christianity and Mythmaking in Rudolfo Anaya’s Bless Me, Ultima.”

Confluencia 11.1 (1995): 22–41. Print.

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Hunt, Alex. “In Search of Anaya’s Carp: Mapping Ecological Consciousness and Chicano Myth.”

Interdisciplinary Studies in Literature and Environment 12.2 (2005): 179–206. Print.

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Hurst, Mary Jane. “Contours of the Future in Denise Chávez’s Face of an Angel and Rudolfo Anaya’s

Alburquerque.” Language, Gender, and Community in Late Twentieth-Century Fiction: American Voices and American Identities. New York: Palgrave Macmillan, 2011. 139–170. Print.

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Iftekharuddin, Farhat. “Gender Roles in Rudolfo Anaya’s The Silence of the Llano.” Journal of Modern

Literature 20.1 (1996): 121–128. Print.

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Jones, David Richard. “Rudolfo A. Anaya and Who Killed Don José?” New Mexico Plays. Ed. David Richard Jones.

Albuquerque: UP of New Mexico Press, 1989. 440–445. Print.

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Kárai, Attila. “The Postmodern Use of Mythopoeia in the Narrative Temporality of Rudolfo Anaya’s

Bless Me, Ultima.” Hungarian Journal of English and American Studies 14.2 (2008): 265–285. Print.

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Kanoza, Theresa M. “The Golden Carp and Moby Dick: Rudolfo Anaya’s Multi-culturalism.” Religion, Myth and

Ritual. Spec. issue of MELUS 24.2 (1999): 159–171. Print.

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Khader, Jamil. “Transnationalizing Aztlán: Rudolfo A. Anaya’s Heart of Aztlán and US Proletarian Literature.”

Contested Boundaries. Spec. issue of MELUS 27.1 (2002): 83–106. Print.

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Klein, Dianne. “Coming of Age in Novels by Rudolfo Anaya and Sandra Cisneros.” English Journal

81.5 (1992): 21–26. Print.

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Lamadrid, Enrique R. “Myth as the Cognitive Process of Popular Culture in Rudolfo Anaya’s Bless Me, Ultima:

The Dialectics of Knowledge.” Hispania 68.3 (1985): 496–501. Print.

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---. “The Rogue’s Progress: Journeys of the Picaro from Oral Tradition to Contemporary Chicano Literature of

New Mexico.” Varieties of Ethnic Criticism. Spec. issue of MELUS 20.2 (1995): 15–34. Print.

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Leal, Luis. “In Search of Aztlán.” Denver Quarterly 16.3 (1981): 16–22. Print.

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Lee, A. Robert. “Chicanismo as Memory: The Fictions of Rudolfo Anaya, Nash Candelaria, Sandra Cisneros, and

Ron Arias.” In Memory and Cultural Politics: New Approaches to American Ethnic Literatures. Edited by Amritjit Singh, Joseph T. Skerrett Jr., and Robert E. Hogan, 320–39. Boston: Northeastern UP, 1996. Print.

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Lomelí, Francisco A. “The Family Crisis in Three Chicano Novels: Disintegration vs. Continuity.” Work, Family,

Sex Roles, Language: The National Association for Chicano Studies Selected Papers, 1979. Eds. Mario Barrera, Alberto Camarillo, and Francisco Hernandez. Berkeley, CA: Tonatiuh–Quinto Sol, 1980. 141–155. Print.

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Martin, Holly E. “Hybrid Landscapes as Catalysts for Cultural Reconciliation in Leslie Marmon Silko’s

Ceremony and Rudolfo Anaya’s Bless Me, Ultima.” Humans and the Environment. Spec. issue of Atenea: A Bilingual Journal of the Humanities and Social Sciences 26.1 (2006): 131–149. Print.

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Martínez, Rubén. “Rudolfo Anaya, Chicano in China.” Writer’s Forum 13 (1987): 8–12. Print.

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Materassi, Mario. “The Desert and the Seed: Three Stories by Rudolfo Anaya.” Journal of the Southwest 49.4

(2007): 569-584. Print.

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McIlvoy, Kevin. “A Dialogue: Rudolfo Anaya/John Nichols.” Puerto del Sol 17 (1982): 61-85. Print.

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Moody, Michael. “Plática con Rudy Anaya.” Caracol 1 (1975): 3-4. Print.

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Newman, Katherine. “An Ethnic Literary Scholar Views American Literature.” MELUS 7.1 (1980): 3-19. Print.

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Núñez Villavicencio, Herminio. Las novelas de Rudolfo A. Anaya y la posmodernidad. Toluca: Universidad

Autónoma del Estado de México, 2002. Print.

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Olmos, Margarite Fernández. Rudolfo A. Anaya: A Critical Companion. Westport, CT: Greenwood, 1999. Print.

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Robinson, Cecil. “Rudolfo Anaya: An Overview.” Puerto del Sol 19 (1983): 125–133. Print.

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Shirley, Carl R. “A Chicano in China: Rudolfo A. Anaya.” MELUS 14.1 (1987): 95–97. Print.

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Schiavone, James David. “Distinct Voices in the Chicano Short Story: Anaya’s Outreach, Portillo Trambley’s

Outcry, Rosaura Sánchez’s Outrage.” American Review 16.2 (1988): 68–81. Print.

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Taylor, Paul Beekman. “The Writer with Wings: Flight as Chicano Survival in the Fiction of Rudolfo A. Anaya.”

Bilingual Review / La Revista Bilingüe 21.2 (1996): 131–145. Print.

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Tenorio, Marta. “Rudolfo Anaya, Un Escritor Chicano.” Universidad de México 40.418-41 (1985): 29-33. Print.

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Trevino, Albert D.  “Bless Me, Ultima: A Critical Interpretation." De Colores 3.4 (1977): 30-33. Print.

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Unpingoco-Garrett, Regina. “Images of Women in Bless Me, Ultima.” Vision (1976): 41-42. Print.

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Van Hecke, An. “Hybrid Voices in the Borderlands: Translation and Reconstruction of Mexican Images in Rudolfo Anaya.” Confluencia 29.2 (2014): 61-69. Print.

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Vassallo, Paul, ed. The Magic of Words: Rudolfo A. Anaya and His Writings. Albuquerque: UP of New Mexico, 1982. Print.